Topic: Pipe 8: NOV06 -NFS
I read an article on Pipelore.net by By Corneel Vermeulen about a pipe called the "Belge." I was amzded and inspired that after so much "research" on pipe shapes, I had never heard of the Belge! Seems it is a carry over shape from the days when clay pipes roamed the earth. The shapes were readily transferable to briar except without the spur. When I get the right piece of wood, I will make one with a spur.
I hate setting a pipe down on its side and having ash spill out. I do this a lot as I dont really leave them in my mouth if Im not puffing. Its a 'me" thing. Anyway, I loved his article and especially the examples of modern Belges he presents. The thought of creating one for myself was overwhelming. So I made the following plan by which I can "kind of" work off of. You see, I basically need to move the shape of the pipe up on the block about 1/8" so that I can leave enough wood to round the stem. Also mine will be more of a "Borraine" than a Belge. I have to also mention that the works of: Larry Roush, Michael Parks, Rad Davis as cited in the article are truely inspiring!
Heather Coleman reports that "Gambier was the largest and most famous of pipe makers and flourished in the 1850-1920 period. They were winning gold medals for pipes in the mid 19th century and producing over 26 million pipes a year, many using steam powered presses." Her collection, reserch, and committment to the clay pipe is extensive, perhaps she would know how it made its transition to briar.
Remember I have a laxley Zulu which is of intrest because it was made on the Isle of Mann. Laxley being a onetime manufacturer of the meerschaum, but when materials became scarce they switch to briar. Perhaps Gambier "marketing department" decided when fashions changed to briar that they would "'ave a go a it." I'll ask her if she knows the answer to Corneel's question
Here (left) are some early 19th century Clay pipes from Heathers collection. Impressive and for me, inspiring. Months ago I had thought of mimicking the shapes of clays. Reading Corneels article whelp to reinforce that desire. Seeing Heather's collection has opened my eyes as well, and reminded me of when I was a teen snorkeling by the coast by my house in Beverly, Mass. I found a stem from a clay pipe. I assumed it was from the 1700's when half-way between my house and the beach stood the Woodbury Tavern. I was hooked and did a bit research myself and remember learning that tavern pipes were community property, and after they were smoke, the stem would be broken off for the next person. I have since/recently learned that the tavern pipes were pretty much the "estate pipe" of today. Taverns were effectively the secondary market for clay pipes.
Lucky Pipe 7 did rise from the ashes. (pictured is a jacket I embroidered (Monday night Football in reflection)) I ended up filing it, and the shaping it with 80 grit (or "grind" as the Dutch say), then sanding it all the way down to 1000 grit. Really. I stained it to expose the grain. It is perfectly in tune with the layout of design. If it were a guitar it would be called blame grained, or burst. In pipe parlance it is a straight grain I think. 
So far: It seems like "Vulcanite" is a good stem material for a "a" but I am tending toward acrylic having experimented them recently in what I like to call "Pimp my Pip.e" More on that later.. . Anyway, as a smoker I prefer the vulcanite because Im a biter, but as an artist I am moving towards Cumberland stems and Acrylic. 
He even states that if you consider the weight of the wood to be important, with lightness being better, than you might want to consider the rootball from a male plant. Pipe 5 is a long but light pipe. Pipe 5 Lite if you will. But I can't imagine specifying female briar when placing an order. Do the harvesters or mills even know the gender of the plant. Fact is Female briar is tighter grained, denser and therefore heavier. If you smoke hot, you might want a heavier pipe more resistent to burnout. Anyway.. 
, the possibilities are endless. If the shapes are the grammar, than the other variables are the vocabulary. Those variables are length of shank & stem:
After three hours of shaping, Pipe 5 has taken on a new life. Its tending toward a classic shape, and away from a dutch-like Freehand. But I think you'll like it. I'm loving it. Pictures Saturday, you'll ee what I mean.
The trouble with rusticatation is that the pipe looks like sh!t before it looks good. this pipe No. 5 is looking less and less than what I had in mind. That's not neccesarily a bad thing. It is what it is.
So, I spent time fitting a new stem to the pipe, then shaping the shank to match the stem. So far the sand pit/blemish has not gone away and I started to think... Cindy Crawford has a "blemish" on her face but she's smokin'. I wouldn't throw her out of bed, and likewise I won't throw the pipe in the wastebasket either. That's just crazy!
Here you see Pipe 5 taken shape after the coping saw. The top will be round, and then there is a hip where it squares off a bit. see prior castle pics posted. 
...I'm still loving the shop pipe (Pipe 3) but the rum tobacco is so wet I added coke and a couple ice cubes, removed the stem, inserted straw and enjoyed it that way...
I mentioned the influence of my pyrographic experience on Pipe 6: Here is an example of my previous work:
The history of Britain is intricately linked with the White Cliffs from the Roman invasion to the assault made by Germany in both World Wars. The first recorded description of Dover describes the scene that Julius Caesar saw in 55 BC when, with two legions of soldiers, he arrived off Dover looking for a suitable landing place and ' saw the enemy's forces, armed, in position on all the hills there. At that point steep cliffs came down close to the sea in such a way that it is possible to hurl weapons from them right down to the shore. It seemed to me that the place was altogether unsuitable for landing.' (Caesar's Commentaries, Book IV.)
Pharos was built on the Western Heights, its remains were called in the 17th century the Bredenstone and by some, the Devil's Drop of Mortar. During excavation work for further fortifications of the site in 1861 the foundations of the tower were discovered and left exposed in the wall of the Officers' Quarters.
It was after the was that Castello (Castle) Pipes was born. It was 1947 and Carlo Scotti created the